​"Cornelia Lotito sang “Una voce poco fa” from Rossini’s “Barber of Seville.” Her flexible mezzo was rich in sound, had volume to spare and remarkable agility easily negotiating this Rossinian terrain. "
-Nino Pantano, Brooklyn Daily Eagle

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"But without a strong Cinderella the production would falter. Fortunately Lotito’s sweet face is matched by her clear, strong soprano. You could hear sighs in the audience when she shaped a strong note that lingered"
​-Gwen Orell, Montclair Local

"Cornelia Lotito, mezzo soprano, sang “Parto, Parto” from “La Clemenza di Tito” with Mozartian agility and flair. Her encore, "Sexy Lady," (Moore) was a combination of Broadway brass entwined with Mozart melodies and was a revelation of her versatility."
-Nino Pantano, Brooklyn Daily Eagle

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"Vocal honors Sunday afternoon fell to Karen Levandoski and Cornelia Lotito, superb choices, both."
-Richard Carter, Examiner.com

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